Peter Yarrow taps into people power of folk music on day true story



& & & & & & & & & & & & & & & &

Peter Yarrow will be at the Hanover Theatre in Worcester for a family show at 1 p.m. Sunday.

WORCESTER -- Peter Yarrow, America's best loved folk singer, will share his favorites with families at 1 p.m. Sunday at the Hanover Theatre for the Performing Arts.

Yarrow, of the iconic trio, Peter, Paul and Mary, will appear with his special guests Lori Diamond & Fred Abatelli and Mustard's Retreat in the Concert for Causes to benefit local charities.

In December 1960, Yarrow began singing with Mary Travers and Noel Paul Stookey after graduating in 1959 from Cornell with a degree in psychology.

"The lyrics to 'Puff the Magic Dragon,' a little poem written by Leonard Lipton, appealed to me because they had an Ogden Nash feeling," said Yarrow, who was with his children and grandchildren at his family home in Telluride, & & & & & & & & & Colo., at the time of the interview.

"The whole idea of relationship and the loss of innocence gives it a kind of heartbreak -- what is sweet and caring turns into something far less whimsical, turns to cynicism over time."

Yarrow wants all of us to retain that young part of ourselves that sometimes gets lost. He wants us to hold onto our ideals and stay caring.

"That's what makes it work. The music emphasizes the emotion, even if someone doesn't understand the words," he said. "People know from the music and my delivery what it's all about -- that's what a song does ... meaning and an intent is there with the music."

Yarrow grew up in a Jewish family involved in culture and worship, something of which he is very & & & &

proud.

"The arts is one beautiful way to enhance living life more deeply and richly," he said.

As a boy, he pleaded with his mother to get him a violin and let him learn, which led to playing the guitar and going to a training school -- but as an art student.

"I had no aspiration to make a career in music," Yarrow said. It was at that time he was encouraged to explore his music.

"A famous artist suggested if I were to go to college I might major in something which could & & & & & & & & & put together art and math, so I entered as a physics major initially," he said. He soon realized it was not what he was destined to do.

Yarrow became engaged in folk music as a transformational force and, as an undergraduate, taught a course called "English 355 and 356: Folk Ballads and Folk Songs."

"College was steeped in an unfortunate value system and hierarchy. There was the Jewish side and the white side, co-eds were to be traded, blacks were disregarded unless running on the field," he said.

Yarrow made the Saturday morning sing-along a famous ritual at Cornell. Sometimes about 1,000 students of all backgrounds would attend, forced to spill out of his 300-seat lecture hall and into the corridors, and everyone would & & & & & & & & & sing.

"When I sang to these groups, their hearts melted and I felt humanity singing, as if someone had unlocked all this passion," he said.

Eventually Yarrow's songwriting helped to create some of Peter, Paul & Mary's songs, including "Puff the Magic Dragon" which reached No. 2 in 1962 on the Billboard Hot 100 chart. Others included "Day is Done," "Light One Candle," and "The Great Mandala." In 1996 Yarrow, as a trio member, earned an Emmy nomination for the PBS "Great Performances" special, "LifeLines Live."

As a musician and an activist, Yarrow was passionate about many of the historically pivotal issues in American society, like the Vietnam War and civil rights. He suggests that his music is not just nostalgic. & & & & & & & & &

"Playing these songs, even in today's terms, the music is still vital, alive and necessary," he said, and he believes it's possible for one person to change the world.

He praises the shining facet of his own Judaism, that we are all connected. "That is done to one, is done to all," he quotes, saying he is moved by people's capacity for empathy.

"I hope to be remembered as someone who helped the world with his music, someone who showed up for what he believes in: togetherness in music."

In 2003, a resolution in both houses of Congress recognized the achievements of Yarrow and Operation Respect, based on his efforts to combat school violence and stirred by the song "Don't Laugh at Me," written by Steve Seskin and Allen & & & & & & & & & & Shamblin.

Yarrow makes it plain that his more intimate concerts at smaller venues are special moments.

"They are like a cross between a concert and a march, like a Thanksgiving gathering. Everyone's singing and joining in. Folk music belongs to everybody, and everyone can do it together -- a collectiveness, regard, sensitivity, and respect which can help us all care for one another."

For tickets and information, go to www.thehanovertheatre.org or call 877-571-7469.& & & & & & & & & &


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Bachmann's Ridiculous Obamacare Claim: 40 Million Uninsured by Choice on day true story



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CM Punk vs. Chris Jericho: Why Title Tilt Deserves More Hype Than It's Getting on day true story



With The Rock and John Cena ready to go at it once again at WrestleMania 28, the rightful fight of the night between CM Punk and Chris Jericho for the WWE title is losing much of the hype that it deserves.

Perhaps it is just bad luck to be scheduled on the same night of the most hyped fight. The WWE has been promoting this match between Cena and The Rock for a year now, while the Jericho and CM Punk feud has just been escalating since Jericho's return in early 2012.

These two have created a great feud that has had many turns and storylines. At first, it was just a battle of who was the greatest in the world, but now it has turned bitter and personal, including Jericho turning heel as the feud began. 

Jericho has been really building up the fight, as he has been dipping into the personal life of Punk, addressing the issues of substance abuse in the Champion's family life. Clearly, it is something that has shaped his image in the WWE, and Jericho is trying to throw it off.

This situation has been short-lived, but it definitely deserves more hype than it is getting.

Which Match Are You Most Excited for?

    Which Match Are You Most Excited for?

  • Rock vs. Cena

  • Jericho vs. CM Punk

There is no doubt that the Cena vs. The Rock fight is huge, and not just for WWE, but for those who have been split on their hero of the past and the man who has taken that role within the organization in the present.

It is actually a similar situation with Jericho and CM Punk, but the only difference here is we have a heel versus a face, and it has been created in a feud that is building up for a battle of man taking down what is truly, well, a bully.

All four of these men have created some of the greatest and most memorable moments in the history of professional wrestling, and when all four hit the ring at WrestleMania, they will once again put on a performance that nobody will be able to forget.


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Who will win? Best-new-artist Juno nominees pick the winners on day true story



', container = $(' drop-panel-container'), contents = $(container).html(); if (isIE8) { $(container).replaceWith(f+contents+b) } } function dropPanelSetUp(data) { /* buttons should be a dataobject of strings representing IDs the hide and show functions are expecting IDs so passing a class will result in a failure. click as the action is assumed for now the data object should look like this: { masterlistener:(string[dom id]), panel:(string[dom id]), eventgroup1:{ button:(string[dom id]), content:(string[dom id]), offset:{x:(int),y:(int)}, on_state_class: ''(string) }, eventgroup2:{ button:(string[dom id]), content:(string[dom id]), offset:{x:(int),y:(int)}, on_state_class: ''(string) } ... etc } The drop panel nodes should be placed so they share the same offset parent as the buttons that activate it. NOTE: IE8 Got-chya: the ID for the panel is hard coded into the IE8 rouned corners code. If you have changed the ID for the drop panel and are having trouble with IE8 change the ID in the template string in this function: ie8DropPanel() */ var speed = 300, panel = $(' '+data.panel), buttons = []; for (var i=1,eg; eg=data[('eventgroup'+i)]; i++) { var bp = $(' '+eg.button).position(), //button position ph = $(' '+eg.button).height(), //button height panelPos = [bp.top+ph, bp.left, eg.offset]; on_state_class = eg.on_state_class; buttons.push([$(' '+eg.button),$(' '+eg.content),panelPos,eg.button,on_state_class]); } $(' '+data.masterlistener).bind('click',{speed:speed,panel:panel,buttons:buttons},function(event){ var org = event.target, speed = event.data.speed, panel = event.data.panel, buttons = event.data.buttons, panel_open = isPanelOpen(panel); for (var i=buttons.length-1, b; b=buttons[i]; i--) { /* * b[0] = button DOM object * b[1] = content DOM object * b[2] = the display co-ord object: * [0] = top (int) * [1] = left (int) * [2] = offset object * {x,y}(int,int) * b[3] = button ID (string) * b[4] = button 'on' class */ var button_id = b[3], same_content = isSameContent(panel,b[1]); if ( $(org).attr('id') === button_id || $(org).parents(' '+button_id).attr('id')){ if(!same_content) { hideAllContent(buttons); movePanel(panel,b[2]); if (panel_open) { showContent(b[1],b[0],b[4]); } else { showContent(b[1],b[0],b[4]); showPanel(panel,speed); } } else { hidePanel(panel,speed,b[4]); } } } function isPanelOpen(panel) { return ($(panel).css('display').toLowerCase() === 'block'); } function isSameContent (panel,content) { return ($(content, panel).css('display').toLowerCase() === 'block'); } function movePanel(panel,b) { // b[0] top, b[1] left, b[2] {x,y} $(panel).css({ 'top': (b[0] + b[2].x) }); $(panel).css({ 'left': (b[1] + b[2].y) }); } function showPanel(panel,speed) { $(panel).slideDown(speed); } function hidePanel(panel,speed) { $(panel).slideUp(speed, function() {hideAllContent(buttons);}); } function showContent(content, button, btn_class) { $(content).show(); $(button).addClass(btn_class); } function hideContent(content) { $(content).hide(); } function hideAllContent(buttons) { for (var i = buttons.length-1, b; b=buttons[i]; i--) { $(b[1]).hide(); $(b[0]).removeClass(b[4]); } } }) } return { ieRoundedCorners:ieRoundedCorners, ie8DropPanel:ie8DropPanel, dropPanelSetUp:dropPanelSetUp } })(); var headerNavication = (function($,cw) { var nav_item_list = $('.cw-header .main-nav ul.main > li'), channel_id_list = '', channel, sub_channel; var findChannel = function () { var winloc = isIE ? document.URL.split('/') : document.documentURI.split('/') , channel_id = winloc[3], sub_chanel_id = winloc.length > 5 ? 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Erich Honecker: East German leader built secret escape tunnel from his office under Berlin Wall on day true story



  • But Erich Honecker never got to use it when he fell from power in 1989

By Allan Hall

|

He ruled over a socialist paradise and promised his people trapped behind the Berlin Wall he would always be there for them.

But that never stopped East German leader Erich Honecker from building an emergency exit - just in case things did not go as planned.

Now the escape tunnel he constructed in the middle of Berlin has been discovered and opened to the public.

Scroll down for video...

Secret tunnel: The 150ft escape route was constructed by East German leader Erich Honecker in case his people ever turned against him

Secret tunnel: The 150ft escape route was constructed by East German leader Erich Honecker in case his people ever turned against him

Escape plans: East German leader Erich Honecker had the tunnel constructed so he could flee if 'things' did not go to plan

Escape plans: East German leader Erich Honecker had the tunnel constructed so he could flee if 'things' did not go to plan

His fall, when it came in 1989, was so swift that he never got the chance to flee through the 150ft long bolt-hole constructed beneath the Schlossplatz in the east of the city.

It led from his office in the former Palace of the Republic - known to all as 'Erich's Lampshop' due to the number of lights inside - to an exit in the former royal stables of the German emperors at the edge of the Spree river.

 

The plan was for him and his politburo friends to high-tail it on a boat to sail away should the cold war turn hot and the city fall to the capitalists.

Christof Fröschl, in charge of the stables, is now the guide for the tunnel constructed out of reinforced concrete.

Oppressed: East Germans walk near Check Point Charlie in 1985

Oppressed: East Germans walk near Check Point Charlie in 1985

He said: 'It was an escape tunnel specifically for Honecker and his highest aides in the event of a calamity overcoming the German Democratic Republic.'

The tunnel was made from the same reinforced concrete used for the numerous nuclear bunkers Honecker had built across his land.

THE BERLIN WALL: A TALE OF TWO CITIES

Constructed: August 13, 1961

Second wall built June 1962

Third generation wall in 1965

Final wall built in 1975

Torn down in 1989

Border length: 96 miles

Watch towers: 302

Bunkers: 20

Persons killed: 192

Persons injured by shooting: 200

It exited in the only building left of the Kaiser's former city palace.

The communists blew up the heavily war-damaged building in 1950 because they deemed it a symbol of 'decadent imperialism'.

It was built in the 1970's - a time when the Soviets still controlled East Germany.

It was when people were being shot every week at the Berlin Wall and the 'velvet revolution' of 1989 that would eventually cause the demise of both Honecker and his totalitarian nation seemed unthinkable.

Squads of Stasi secret police labourers built the tunnel under the strictest secrecy. It would have been unthinkable to let the people, or the west, know that such paranoia existed in the politburo.

Berlin authorities intend to rebuild the so-called Stadtschloss in the near future - funds permitting.

They will then use the former escape tunnel as an underground access path for workers to get to the nearby state library.

Honecker ruled from 1971 until 1989. He died, aged 81, in the Chilean capital of Santiago in 1994.

 

 


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National Enquirer Blames Robbie Fulks For Drew Carey's "Bizarre Behavior": Chicagoist on day true story



Few musicians can lay claim to being prima facie evidence that a celebrity has—in the words of the venerable National Enquirer—suddenly "snapped."

Chicago's Robbie Fulks earned the dubious distinction when last week when The National Enquirer cited him as proof comedian and current The Price Is Right host Drew Carey has gone cuckoo for Cocoa Puffs.

In late February, Carey posted an update to his Twitter page saying "my song of the day. LOL. "F*ck This Town" by Robbie Fulks."

The Enquirer's breathless "insider" commentary just makes things even better. Regarding the song from Fulks' 1997 debut sophomore album, the insider says:

"It drops the F-bomb five times in the chorus alone, uses other expletives and makes a derogatory remark toward gays."

The source continues:

"Many of Drew's fans are older women, and his management was horrified at the tweet. But the star told them it sums up his feelings about Hollywood and "he didn't give a damn what anyone thought."

While we don't see anything so wrong with linking to a great kiss-off song when you've had your city's fill of bullshit (in Carey's case, it's Hollywood so, we hear ya, buddy), Carey's "brazen" behavior goes far beyond his taste in music: he also lost 90 lbs., had eye surgery that allowed him to ditch his signature thick-rimmed glasses and started dating a much younger woman.

While you fetch your smelling salts, Fulks weighed in on his blog. In it, he says he hopes the Enquirer's empirical evidence really is proof of the crazies, since that would mean Fulks himself is of sound mind.

"I've gained 10 pounds in the last two years, have been sexing the same progressively aging woman since 1990, and have no particular fondness for the music of Robbie Fulks," he writes. "So what the hell am I doing in this cloud cuckooland called Wilmette, IL?"

While Carey's management allegedly called Fulks' song "outrageous," saying it "is sure to appall 90 percent of the people," Fulks brushed it off.

"The words in question, to be clear, are 'fuck' and 'faggot,'" writes Fulks. "Saying words like these 5 times in 15 seconds, as I do in the song in question, is no big deal. Busta Rhymes and Tech Nine are but two of many who have done it faster, and probably better."

To see if you can pass the Robbie Fulks crazy test, head to the Hideout, where Fulks plays a weekly Monday night residency, "Mondays With Robbie."

Robbie Fulks plays at The Hideout, 1354 W Wabansia, next on Monday March 19, 7 p.m. $10 suggested donation. With Nora O'Connor


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Anti-Bullying Documentary "Bully" Receives Support From Bing on day true story



NEW YORK, March 26, 2012 /PRNewswire/ -- The Weinstein Company is pleased to announce a partnership with Bing to drive massive awareness of the dangers of bullying surrounding the highly anticipated release of the anti-bullying documentary "Bully," in theaters in New York and Los Angeles on March 30 and in other cities on April 13.  The goal of the partnership is to help raise awareness of the serious implications of bullying as well as encourage more Americans to speak out and stand up to bullying.

The "Bully" movement is growing, with support from high profile people such as Ellen DeGeneres, Justin Bieber, Meryl Streep, Anderson Cooper, Kelly Ripa, Demi Lovato, Tommy Hilfiger, Victoria Justice, Billie Jean King, Rep. Mike Honda (D-Calif.), Senator Kirsten Gillibrand (D-NY), Gerry Lopez, CEO of AMC Theaters, legal powerhouses David Boies and Ted Olson, and Drew Brees. Seventeen year-old high school student Katy Butler got involved by starting a petition to encourage the Motion Picture Association of America (MPAA) to change the rating on "Bully" from R to PG-13 so that kids can see it.  To date, Butler has garnered more than 400,000 signatures and delivered the petition to the MPAA earlier this month. 

Together, the companies will launch a multi-million dollar, multi-media campaign to promote "Bully" and illustrate the impact of bullying, with the rallying cry "stop bullying."  The partnership includes an ad campaign appearing on TV and online including a video telling Butler's story, social media promotion, and the sponsorship of multiple screenings in NY and the official premiere in Los Angeles, tonight, March 26th, hosted by E!'s Giuliana Rancic and Joel McHale with Victoria Justice.  In addition, E! Entertainment is the media sponsor for the Los Angeles event.

"Bing is an innovative search engine that can help connect people with resources to educate and drive awareness about this important cause," said TWC Co-Chairman Harvey Weinstein. "It is truly inspiring to collaborate with a company like Bing that sees the value in using their voice and influence for an issue like this that affects children everywhere."

"Bing is designed for doing and we speak to a generation of people who do amazing things," said Lisa Gurry, Senior Director, Bing and MSN. "We believe we can help this movement by leading online and driving for change. We're honored to partner with The Weinstein Company and help people find the best resources to help address this important issue."  

Bullying affects millions of kids every day – with over 13 million kids in the US being bullied this year, and over 3 million students missing school each month because they feel unsafe at school. The goal of "Bully" is to get parents, students, educators, and advocates involved to help stop bullying.

ABOUT "BULLY"
Directed by Sundance and Emmy-award winning filmmaker, Lee Hirsch, BULLY is a beautifully cinematic, character-driven documentary. At its heart are those with huge stakes in this issue whose stories each represent a different facet of America's bullying crisis. BULLY follows five kids and families over the course of a school year. Stories include two families who have lost children to suicide and a mother awaiting the fate of her 14-year-old daughter who has been incarcerated after bringing a gun on her school bus. With an intimate glimpse into homes, classrooms, cafeterias and principals' offices, the film offers insight into the often cruel world of the lives of bullied children. As teachers, administrators, kids and parents struggle to find answers, BULLY examines the dire consequences of bullying through the testimony of strong and courageous youth. Through the power of their stories, the film aims to be a catalyst for change in the way we deal with bullying as parents, teachers, children and society as a whole.

ABOUT Bing:
Bing, the search engine from Microsoft, is for people who do; for people who are always doing more and don't have time to sit still. So whether you're on your PC or on your phone, Bing has features designed not just to connect you to the information you are looking for, but also to help you get things done right on Bing.com. From making dinner reservations to sharing a link with one of your Facebook friends, it can all happen within Bing. With Bing, you simply get results you can trust that will get you quickly from searching to doing. Bing is for doing.

ABOUT THE WEINSTEIN COMPANY
The Weinstein Company (TWC) is a multimedia production and distribution company launched in October 2005 by Bob and Harvey Weinstein, the brothers who founded Miramax Films in 1979. TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein, which has released such popular franchises as SCREAM, SPY KIDS and SCARY MOVIE. Together TWC and Dimension Films have released a broad range of mainstream, genre and specialty films that have been commercial and critical successes.  TWC releases took home eight 2012 Academy Awards®, the most wins in the studio's history. The tally included Best Picture for Michel Hazanavicius's THE ARTIST and Best Documentary Feature for TJ Martin and Dan Lindsay's UNDEFEATED. THE ARTIST brought TWC its second consecutive Best Picture statuette following the 2011 win for Tom Hooper's THE KING'S SPEECH.

Since 2005, TWC and Dimension Films have released such films as GRINDHOUSE; I'M NOT THERE; THE GREAT DEBATERS; VICKY CRISTINA BARCELONA; THE READER; THE ROAD; HALLOWEEN; THE PAT TILLMAN STORY; PIRANHA 3D; INGLOURIOUS BASTERDS; A SINGLE MAN; BLUE VALENTINE; THE COMPANY MEN; MIRAL; SCRE4M; SUBMARINE; DIRTY GIRL; APOLLO 18; OUR IDIOT BROTHER; I DON'T KNOW HOW SHE DOES IT; SARAH'S KEY; and SPY KIDS: ALL THE TIME IN THE WORLD IN 4D. Currently in release are MY WEEK WITH MARILYN; THE ARTIST; THE IRON LADY; CORIOLANUS; W.E.; and UNDEFEATED. Upcoming releases include BULLY and THE INTOUCHABLES. Recently wrapped was SILVER LININGS PLAYBOOK, and currently in production is DJANGO UNCHAINED.

TWC is also active in television production, led by former Miramax Films President of Production and current President of Television Meryl Poster, with credits including the Emmy® nominated and Peabody Award winning reality series Project Runway, spin-off series Project Accessory and Project Runway All Stars, the VH1 reality series Mob Wives, and the critically acclaimed HBO comedy/crime series The No. 1 Ladies Detective Agency which also received a Peabody Award. The company is currently in pre-production on the martial-arts epic Marco Polo for Starz as well as production on the second season of Mob Wives and the newest installment in the series' franchise Mob Wives Chicago. TWC additionally has 17 series in different stages of development, including The Nanny Diaries, being adapted for ABC by Amy Sherman Palladino (Gilmore Girls).


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Lakers beat Hornets 88-85 on Bryant's late 3 on day true story




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Chicago Cubs Announce Opening Day Lineup; Fan's Take - MLB on day true story



We, as the astute baseball fans we are, love debating over, well, just about everything the game has to offer. One of the soup de jour arguments in recent years has been that of the "who should hit where in the lineup" argument. For the Chicago Cubs, this has been front-and-center the last few years given the Cubs' wild inconsistencies (and occasional injuries). Earlier this week, Cubs manager, Dale Sveum, announced the Cubs opening day lineup—David DeJesus, Darwin Barney, Starlin Castro, Bryan LaHair, Alfonso Soriano, Ian Stewart, Marlon Byrd, Geovany Soto , and the pitcher slot.

Based on what the Cubs have to work with this season, there aren't really many surprises in the lineup's construction. Any of the contrasts I had in my head were just simply "ideas," not necessarily what I thought was the only right way to do it. I though Barney could potentially be moved down (8th maybe), or that Byrd could be moved up. At the end of the day though, I think this is a pretty good setup based on the current players that the Cubs have. Whether or not this lineup can win any games is an entirely different story.

It's always interesting that we spend so much time arguing these points given that, over the course of the season, players get hurt, need days off, go into slumps, get hot and hardly hold tight to the lineup made public prior to opening day. As fans, we just want to know who we can expect to be watching as we continue sitting in the stands, anxiously awaiting that long-awaited World Series title. While anything is possible, this Cubs season looks more like an audition for the years to come as opposed to a potential run at a playoff appearance—much less a World Series one.

Ideally, surprise players like Joe Mather and Steve Clevenger will be able to continue to make impact plays as the season becomes "for real." The Cubs might find themselves with decent depth if these players —along with Blake DeWitt and, eventually, Brett Jackson and Anthony Rizzo— continue to produce. While it's clear the Cubs are a ways from being where they ultimately want to be, I think there is already evidence of this team moving in the right direction.

No matter what, I'm ready for opening day.

Brian is a lifelong Chicago Cubs fan, having lived in Illinois his entire life and having followed Major League Baseball throughout.

Sources

Sveum Announces Lineup

Note: This article was written by a Yahoo! contributor. Sign up here to start publishing your own sports content.


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Washington Redskins: Chris Cooley Set to Benefit from Fred Davis Situation on day true story



If there is one position the Washington Redskins can look at with some level of comfort, it is their tight ends. Before last season, Chris Cooley was a rock on offense and Fred Davis showed great promise despite questionable quarterback play.

The potential loss of Davis for the season means Cooley could see a return to form in 2012.

It was not so long ago that Cooley was considered among the elite tight ends in the NFL. In his first four seasons, Cooley caught 231 passes for 2,608 yards and 27 touchdowns without missing a single game. In the four seasons since, he has caught 197 passes for 2,095 yards with just six touchdowns.

However productive Cooley has been in the last four years has been overshadowed by the 20 games he has missed since 2009.

When Cooley suffered a broken ankle midway through the 2009 season, the Redskins turned to Davis to pick up the slack. Including the game in which Cooley was injured, Davis caught five passes per game in 10 starts while scoring six touchdowns.

Cooley rebounded in 2010, but fans were adamant in their desire to see Davis on the field more.

Last season, Cooley played in just five games and opened the door for Davis to catch 59 passes for 796 yards and three touchdowns. It was the four-game suspension Davis incurred to finish the season that opened the door for a potential position battle this season.

Davis was franchise tagged for the 2012-2013 as a precaution as much as a testament to his value.

Along with left tackle Trent Williams, Davis was suspended for the final four games of the 2011-2012 season after testing positive for banned drugs earlier in the year. If either player violates the NFL's drug policy again, he'd face a season-long suspension.

The incident stripped Davis of whatever leverage he had in upcoming contract talks, and left him with little choice but to accept the tender. Given the risk, the Redskins need to keep Cooley in the fold and in shape in case Davis is lost for the season. 

Though he is not the freakishly athletic, big-play threat that Davis is, Cooley is dependable and still very capable of being a go-to target for Washington.

Cooley rumbled for a 66-yard touchdown despite being seen as an average athlete by comparison, and he ran over several Dallas Cowboys defenders in a three-touchdown performance in 2005.

The past is the past, but Cooley is just as much of a threat now as he was a few years ago.

It isn't as though Cooley is over the hill or incapable of being a featured tight end anymore. The direction of the offense merely favored Davis, and untimely injuries forced Cooley to take a backseat to the young tight end.

With Robert Griffin III in line to be the Redskins' franchise quarterback, Cooley and Davis will most assuredly be featured heavily on offense in the coming season. Tight ends are a quarterback's best friend, and Cooley has the inside track to assume that role in the coming season.

Especially if Davis can't keep his nose clean.


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Groupon says 4th-quarter was weaker than reported on day true story



PORTLAND, Ore. (AP) -- Groupon Inc. said Friday that its fourth-quarter loss was wider than initially reported because it needed to increase the amount of money it sets aside for refunds.

The disclosure weakened the company's first quarterly report since it went public in November, which already had disappointed investors, and added to its list of fumbles.

Groupon prominently promises to refund money to any user unhappy with a deal, an important part of its business model that has made it so popular. The need for the revision, however, indicates it might not have the controls in place to adequately keep up with its own success.

Groupon said that it was selling online deals at higher prices during the period. and that put it on the hook for larger refunds. The revision lowered the company's quarterly revenue by $14.3 million and widened its loss by $22.6 million, or 4 cents per share.

The company originally reported in February a surprise loss of $42.7 million, or 8 cents per share, for the period. It said at the time that its revenue nearly tripled to $506.5 million from the same quarter a year earlier.

Groupon's auditor Ernst & Young also flagged a weakness in the company's internal controls over its financial statement for the period in a regulatory filing Friday.

Groupon said it is working to identify and address the underlying causes and said it may have added expenses to solve the problem, including the cost of hiring more financial staff for the quickly growing company.

The company's shares plunged in after-hours trading on the news.

This is not the first time Groupon has struggled to get its financial reporting in order. The company faced federal scrutiny before its initial public offering for the way it accounted for revenue.

Groupon makes money by sending out frequent emails to subscribers offering a chance to buy discount deals for anything from manicures to ballroom dance lessons. The company takes a cut of what people pay and gives the rest to the merchant.

The company used to report all of its gross billings, not just the money it gets to keep, as revenue. After federal regulators questioned the practice, Groupon submitted new documents in September that showed that net revenue in the first half of 2011 was about half of what it originally reported.

The company's rapid growth, financial reporting difficulties, high marketing expenses and enormous employee base have caused some IPO experts to compare its ascent to the late 1990s tech boom — and bust.

Groupon has failed to impress investors since its market debut. It started strong, pricing above expectations at $20 and raising $700 million in its offering. Its shares soared 31 percent in its first day of trading, closing at $26.11. It has fallen 30 percent since then, closing regular trading Friday at $18.38.

The company has struggled with intense competition from other daily deal sites and complaints by merchants after they've been overwhelmed by customers using, and sometimes abusing, the company's offers.

Groupon also issued a more modest growth forecast for its first quarter as the number of subscribers signing up for its service and the number of merchants joining appears to be slowing.

The company stood by its 2012 first-quarter expectations for revenue of $510 million to $550 million. But that is still single-digit growth year-over-year when it delivered double-digit growth in every quarter of 2011.

"We remain confident in the fundamentals of our business, as our performance continues to highlight the value that we provide to customers and merchants," Groupon's Chief Financial Officer Jason Child said in a statement.

The company also said Friday that it would extend its "lockup" period one month beyond what it had set out at its IPO. These agreements restrict the sale or transfer shares held by certain stockholders, often executives in the company. The agreements also prevent key stockholders from unloading shares or flooding the market, which could hurt its price.

Groupon said that its lockup agreements were originally scheduled to expire on May 2 but the company will be reporting its earnings on May 12 and the agreement forbids the two being so close to each other. As a result, the lockup period will be automatically extended through June 1.

Shares of Groupon, based in Chicago, plunged $1.24, nearly 7 percent, in after-hours trading.


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Kelly Clarkson Reveals New Boyfriend on day true story



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No longer Miss Independent! Kelly's finally dating got a new man after a six-year slump.

Kelly Clarkson, 29, revealed she's dating Brandon Blackstock, a 35-year-old Nashville-based talent manager, on the Toronto radio station CHFI 98.1. "I have a new boyfriend," Kelly said, giggling like a teenage girl.

Kelly sounded extremely cheerful talking about her new beau and she's glad he's in the music business like her. "He understands my work and how much I work, and I understand his stuff because he's in the business. It's easier," Kelly said.

Kelly broke off her last relationship with fellow musician Graham Colton in 2006. "Before Brandon, Kelly had a really tough time with love," an insider told Us Weekly. "[Brandon] is just what she needed."

The two got together last year and he escorted her to the Super Bowl where she sang a rousing rendition of the national anthem, the Daily Mail reports.

Kelly's also taken to Brandon's two little kids from his previous marriage. "Kelly is crazy about his kids, and they love her.," the insider for Us Weekly said.

So refreshing Kelly is in love again. Maybe she'll change her tune and start writing some beautiful love songs instead of her don't-need-no-man anthems.

Emily Morgan

More Kelly Clarkson News:

  1. Kelly Clarkson To Star In New Singing Competition Show 'Duets' — Is She Turning Her Back On 'Idol'?
  2. 'The Voice' Preview: Kelly Clarkson & Ne-Yo Go Head-To-Head In Battle Rounds — VIDEO
  3. Kelly Clarkson Shows Off Sleek, Dark Hair & Blunt Bangs At The Super Bowl


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Obituary: Kenneth J. Fisher / Pearl Harbor survivor, 'fair and honest man' on day true story



March 26, 2012 6:01 pm

By Mary Niederberger / Pittsburgh Post-Gazette

Kenneth J. Fisher survived the attack on Pearl Harbor while serving in the Navy during World War II and outlived his wife and two children. But he never let the difficulties of his life change his warm personality or positive outlook on life.

"He continued to be upbeat and friendly and enjoy life. He was a very, very nice man," said Ida Hardin, his companion of 12 years.

Mr. Fisher, 91, died of Alzheimer's disease on March 23 at home in Braddock Hills.

He was a native of the Brushton neighborhood of Pittsburgh, where he was born and raised and where he raised his family, which included a son and daughter.

He enlisted in the Navy and served in 1939-1945. Prior to his naval service, Mr. Fisher served in the National Guard for two years.

During his time in the Navy, Mr. Fisher experienced two close calls with his life. The first was when he was stationed at Pearl Harbor when it was attacked by the Japanese on Dec. 7, 1941 and 2,400 were killed.

The second close call came in July 1945, when he disembarked the USS Indianapolis shortly before it was sunk by a Japanese torpedo in the Philippine Sea killing some 800 servicemen.

"He had just gotten off of that ship and was on another. His family wasn't sure where he was," Mrs. Hardin said. She said he served on the USS Indianapolis for five years.

But rather than dwelling on the war, like many World War II veterans, Mr. Fisher returned home, went to work and raised a family without speaking too much of the war. He spent 32 years working for the Union Railroad, where he retired as a conductor.

Mr. Fisher enjoyed playing the guitar and harmonica and singing. He performed at the East Vandergrift Senior Center and at other senior citizen venues and was often the life of the party at social gatherings.

Mrs. Hardin said Mr. Fisher wore a pin that said "I like to give hugs" and that he remained active, exercising daily, until his illness prevented it about 18 months ago.

He requested his obituary state that he "be remembered as a fair and honest man."

In addition to Mrs. Hardin, Mr. Fisher is survived by three grandchildren and four great-grandchildren.

Visitation will be 2 to and 7 to 9 p.m. today at Robert P. Karish Funeral Home, Brinton Road and Fourth Street, Braddock Hills. A Mass will be celebrated at 10 a.m. Tuesday in St. Maurice Church. Burial will be in All Saints-Braddock Catholic Cemetery with full military honors.

Memorial contributions my be made to St. Maurice Church or Bridges Hospice.


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Jay-Z Takes Over SXSW With Hit-Packed Set | Music News on day true story



Jay-Z performs during the 'Amex Sync Show Presenting Jay-Z' at ACL-Live in Austin, Texas.

Gary Miller/FilmMagic

March 13, 2012 1:20 PM ET

For roughly 75 minutes on Monday night, Jay-Z led a New York takeover of downtown Austin.

The proof came near the end of his special AmEX-Sync concert for SXSW, when Jay-Z asked some 2,700 fans in attendance how many New Yorkers were in the house before launching into "Empire State of Mind," his juggernaut ode to the city. The response drowned out a similar Texas roll call, showing just how much of the publishing, media and entertainment world had temporarily relocated from NYC to Austin for the fest.

Downsizing from his usual arena-scale shows to the more intimate setting of Austin City Limits Live at Moody Theater, Jay-Z exuded charisma from the moment he opened with "What More Can I Say," coolly firing off rhymes into a pedestal mic at the center of the X-shaped stage. Later, he trolled its outer edges, ripping through a hit list that was at least partially determined by requests made via Twitter and included "Dirt Off Your Shoulder," "99 Problems," "Big Pimpin'" and "Public Service Announcement."

Through it all, he remained relaxed, calm and confident as ever. It was like the equivalent of watching a preseason exhibition game for a professional athlete; without a ton at stake, this was mostly a chance for Jay-Z to stay in performance shape and have some fun while he's at it.

One component of Jay-Z's appeal that became apparent from experiencing most of his best songs up close is his ability to drastically change characters and demeanors from song to song, and do it in a believable way.  Within the space of a few songs the crowd got suave Jigga ("Girls Girls Girls" and "Excuse Me Miss"), petulant Jigga ("Dirt Off Your Shoulder," "99 Problems," "On To The Next One"), CEO Jigga ("Big Pimpin'", "Empire State of Mind") and the newly devotional Jigga, as shown near set's end with "Glory," his ode to infant daughter Blue Ivy.

With a production setup of just some overhead video screens and lighting, and a backing band consisting of a DJ, two keyboard players and a drummer, the night was a chance to see one of the world's best rappers in low-frills environment with the intimate surroundings as the main selling point.

That fact wasn't lost on Jay-Z who had no difficulty drawing the already packed-tight crowd in closer to him for the entire time.

To read the new issue of Rolling Stone online, plus the entire RS archive: Click Here


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Cure The Love Bulge, Shaft Medical Now Offers Abdominal Liposculpture to Eliminate Love Handles on day true story



San Diego, CA (PRWEB) March 28, 2012

Shaft Medical San Diego ("SHAFT SAN DIEGO"), the area's premium aesthetic medicine practice providing the full range of advanced cosmetic procedures, announces the availability of the PowerX and Lipotherme Liposuction San Diego procedure for managing hard to treat love handles.

Those collections of fat on the abdomen and sides are colloquially known as "love handles". A recent survey showed that three out of four people want to treat their love handles.

It's a truly sobering time in anybody's life when one day you look down and find that you've got those dreaded love handles! For many women, this is the moment that our San Diego liposculpture procedure starts to sound like a wonderful idea.

Even with diet and exercise, it's possible to end up with areas of fat that just don't seem to shift, such as back fat, tummy rolls, bingo wings, and of course, love handles. You can now permanently eliminate your love handles with a relatively simple outpatient liposuction San Diego procedure.

Liposuction of love handles with the PowerX and Lipotherme San Diego Liposuction procedure fat involves permanent removal of fat cells resulting in greater definition and skin tightness. This technique reduces or eliminates the "side bulges" associated with love handles.

Produced by Sound Surgical, the recently FDA-approved PowerX Lipo System is an innovative power-assisted liposuction device that makes it easier for the cosmetic surgeon to remove fat. The cannula rotates, allowing fat to be removed quicker, more efficiently, and with less effort. It is also very quiet, unlike other mechanical liposuction devices.

Lipotherme is a new FDA-approved 980 nm wavelength laser lipolysis technology developed in France. Using a small laser housed in a specially designed and patented cannula, fatty deposits below the skin are disrupted with heat, facilitating their removal and the look and contour you desire. Laser lipolysis with Lipotherme is often used in areas where traditional liposuction would not be successful and in parts of the body where diet and exercise is not able to reduce fatty deposits.

Now, with PowerX and Lipotherme, there are new and effective options in liposuction technology.

The PowerX technique substantially reduces surgical time as compared to traditional liposuction. Combining a unique rotational handpiece with multiple power settings, PowerX enables more precise body sculpting and contouring. Capable of superficial work to large volume fat removal, the PowerX allows cosmetic surgeons more control by reducing aspiration time and physician fatigue.

PowerX offers physicians and patients the ability to custom-tailor body contouring treatment. PowerX can be used alone or in combination with other liposuction technologies such as SHAFT™'s exclusive Lipotherme™ laser lipolysis system.

Lipotherme laser liposuction offers smooth and consistent contouring results, allowing cosmetic surgeons to target the smallest and most stubborn pockets of fat. Lipotherme is the perfect solution for small, precise areas like the face, neck, back, parts of the abdomen and arms. This technique reduces bruising and bleeding, and only a local anesthetic is needed which reduces both cost and risk to the patient.

ABOUT SHAFT SAN DIEGO

Specializing in the very latest advanced aesthetic medicine procedures Shaft Medical San Diego features NeoGraft Scar Free Hair and Eyebrow Transplantation and MiXto SX Fractional Skin Laser for acne scars, skin rejuvenation, and nonsurgical "lift" of the face, eyes neck and chest. Our practice also offers PureLight Cellulite Heliotherapy, PowerX and Lipotherme Minimally Invasive Liposculpture Surgery, LAVIV Skin Cell Cloning Therapy and NeoGraft LTS Acne Cold Laser as well as BOTOX, Juvéderm, Radiesse, LATISSE for eyelash growth, varicose vein and spider vein treatment, and MeDioStar laser hair removal. SHAFT's modern and highly discrete office serves clients throughout Southern California including San Diego, Orange, Riverside and Los Angeles counties.

For more information about PowerX and Lipotherme Liposculpture San Diego, please see the Company's website at http://telecomadvisors.biz/www.shaftsandiego.com.



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Shenmue, Space Channel 5 dev preps new Vita rhythm game on day true story



& While gamers are not too familiar with the name Tak Hirai, they may be acquainted with the games he programmed back at Sega: the Shenmue and Space Channel 5 series. The programmer's new development company, Neilo, established back in 2010, recently announced that it will be releasing a PS Vita title called Orgarhythm. &

& According to a recent issue of Famitsu (via Andriasang), the rhythm title will be published by Acquire. The game is a mixture of strategy and music, where players control a god who can guide minions. As players defeat enemies and issue commands, the game's music progresses from a bass track to a full-blown instrumental piece. &

& Gamers can also affect upcoming stages and enemy AI depending on how well they perform. The game will have cooperative and competitive multiplayer modes via ad hoc. &

& Gamers in Japan can expect to check out this title when it comes out this summer. For more information on Tak Hirai's past titles, check out GameSpot's coverage of Shenmue and Space Channel 5. &

By , Associate Editor

Born and raised from a jungle-laden village in Sarawak, Malaysia, Jonathan Toyad has been playing games since the early 90s. He favors fighting games, RPGs, and rhythm titles above every other genre, and occasionally spaces out like Pavlov's dog to video game music on his iPod.


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On the Steelers: Tomlin claims responsibility for releasing, hiring new coordinator on day true story



March 28, 2012 3:00 pm

By Ed Bouchette / Pittsburgh Post-Gazette

PALM BEACH, Fla. -- Mike did it.

Long after Bruce Arians was pushed into "retirement" and the Steelers hired Todd Haley to replace him, coach Mike Tomlin stood up and claimed responsibility for both deeds.

It wasn't Art Rooney II with the broom in the boardroom, but the head coach who swept out Arians as his offensive coordinator and offered the job to Haley.

And those who doubt those stories don't have a clue, at least that's how Tomlin sees it.

"I thought that it was time for change," Tomlin said Tuesday, speaking about the subject publicly for the first time.

"We're moving into a situation here where we have an opportunity to grow and develop some young talent offensively. It's awesome to have an opportunity to maybe have the division of some common opponents -- people who are comfortable with how you play football -- get uncomfortable. That's what's going to happen to us this year. We're excited about that.

"More than anything, I'm not going to apologize for change. That's football. I think all of us in this industry understand that, and our intentions are that it changed for the better."

The Steelers announced Jan. 20 that Arians had "retired." They announced Haley's hiring Feb. 7. A story in the Pittsburgh Post-Gazette reported that Tomlin had told Arians he wanted him back and that Arians wanted to return but that Rooney put the brakes to that.

Tomlin stated emphatically that both decisions were his, that neither came at the behest of the Steelers president.

"He didn't," Tomlin said of Rooney having influence in Arians leaving. "I don't know where some of these perceptions come from. I don't break my neck to try to combat them in any way. I don't know where they come from.

"And I hired Todd Haley as well, which is your next question, which is another funny one to me. And don't get me wrong, of course, Art Rooney owns the football team, he can do what he wants to do, but those directives did not happen."

Tomlin held a news conference the day after the Steelers lost a playoff game Jan. 8 in Denver -- stating that day he thought both coordinators would return for 2012. He has been mostly silent since then in his public discourse. He made a few remarks when Haley was introduced at a news conference but took no questions. He also has been interviewed on Steelers.com, the team's website, about some matters.

To report inappropriate comments, abuse and/or repeat offenders, please send an email to socialmedia@post-gazette.com and include a link to the article and a copy of the comment. Your report will be reviewed in a timely manner. Thank you.


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Column: The day the Dat died in New Orleans | Reno Gazette-Journal on day true story



NEW ORLEANS (USA TODAY) — Maybe that 2009 Super Bowl season was just too perfect, too magical, too heavenly.

Maybe, Sean Payton is Robert Johnson. His career is certainly at the Crossroads.

Did the Saints strum a deal with the devil?

It sure felt like it on Ashes Wednesday. Perhaps never has the city of New Orleans been more sober. This was like Ash Wednesday times 27, which is the number of losing seasons the Saints have had since they started playing in 1967.

March 21, 2012 — The Day The Dat Died.

Saints coach Sean Payton suspended for the entire season — the draft, mini-camps, all workouts, picnics, the prom, everything. He knew about the bounties and lied about it to NFL omniscient-er Roger Goodell, who tends to put bounties on those who lie to him. Payton's sentence starts on April 1, and it's no joke. There will be no parades in New Orleans on that day.

Payton was not just the Saints coach. He, and quarterback Drew Brees, are the primary reasons the Saints won the Super Bowl on Feb. 7, 2010. He and Brees are the primary reasons the Saints are 41-13 the last three seasons and 4-2 in the playoffs — easily their best era in a bleak history.

And now he's gone until 2013. If the Saints somehow become the first team to play a Super Bowl in their own stadium on Feb. 3, 2013, against New Orleans native Peyton Manning and Denver, Payton can't coach in it. But they're not going to make it. Not without Payton — the best offensive mind going in the NFL.

Brees is great, but he needs Payton.

"We all know how much of a game day talent he is," former Saints safety Darren Sharper said.

"There goes the Super Bowl," Pat Armond, a retired nurse, said Wednesday in Alexandria. "I'm just sick about it."

Bourbon Street has been changed to Alka-Seltzer Avenue, and it smells worse than ever.

"I feel like I've been kicked in the gut," Saints punter Thomas Morstead said. See you on Alka-Seltzer.

Believe me, the Saints will not miss general manager Mickey Loomis, who was suspended for the first eight games of 2012, as much as Payton. All Loomis' suspension means is for eight weeks, Loomis can't sign or draft and overpay busts like Jonathan Sullivan, Tebucky Jones, Alex Brown, Al Woods, Olin Kreutz, Turk McBride and Shaun Rogers. Too bad Loomis can't be suspended for the draft.

Loomis has done well in spots, but Payton's eye for talent is much better and nearly as good as his coaching abilities. Loomis didn't find Marques Colston. Payton did. Loomis probably should have been let go when Jim Haslett was fired after the 2005 season. He was as much responsible for the putrid smell on the field from 2001-05 as was Haslett. And this is the second time Loomis has not adequately informed his boss, owner Tom Benson, of what was going on with his team. The Vicodin scandal of 2009-10 was another example.

They won't miss assistant head coach/linebackers coach Joe Vitt either. Vitt, who was suspended for six games Wednesday, was heavily involved in passing the prescription drug Vicodin around the Saints coaching office like it was candy. Loomis, Vitt and Payton should have been reprimanded by Benson or the league for the Vicodin mess, and maybe they would have learned something.

You can call the NFL's penalties of the Saints too harsh all you want, and they were too harsh.

But know this. The NFL's investigation proved one thing very clearly. The Saints are dirty. Payton, Loomis, Benson — all three of them make up the evil trinity.

"Clearly we were lied to. It was clearly out of control," Goodell said.

"Make sure our ducks are in a row," Payton said to his assistants in an effort to keep the lie straight, according to the NFL.

Payton told Goodell he was unaware of the bounties, but the NFL located an email Payton received that detailed a bounty on Green Bay Packers quarterback Aaron Rodgers before the 2011 opener.

Loomis let it all go, just like with the Vicodin. What else is he letting go up there on Airline Drive in Metairie, La.? Drugs and bounties, we know. What else? Strippers?

Benson may have been cleared by the NFL for not knowing, but he should have known his team was being operated like The Big Easy. He is the owner. His office is not that far from the locker room. Being out of touch and an oblivious, naked emperor should not be a defense. It was Benson's job to know what the people he hired were letting happen. And we all know how dirty Benson was in the days after Katrina when he tried to move the team.

The Saints are dirty. And who could blame a purely honest and real guy like Drew Brees (-us) for not wanting anything more to do with them?

Maybe Loomis was smart in recently putting the exclusive franchise tag on Brees, who now cannot negotiate with another team even if he wanted to do so.

Brees is all the Saints have now. And they need him more than ever. At least Katrina wasn't the Saints' fault. This is.

But how can Brees look Loomis and Payton in the eye and trust them after all this? How can he see that any contract he works out with the Saints is not a deal with the devil?

Copyright 2012 USA TODAY


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Sloan: Juno Nominees' Next Album Might Sound Like My Bloody Valentine on day true story



Sony BMG

Jay Ferguson and Patrick Pentland of Sloan aren't too interested in winning another Juno. Their longtime band are up in the Best Rock Album category for The Double Cross but the guys are pretty blase about it. So are the Canadian indie rock veterans too cool for award season? Nope, they're just design snobs.

"Junos now are horrible!" Pentland tells Spinner. "You don't want to win one, aesthetically."

"Unless they go back to the old design," jokes Ferguson. "Then we'll consider accepting one."

"I have my Juno above my kitchen cabinet, it's prominently displayed," he adds. "But it's the old-style one, the weird three-dimensional isosceles triangle."

The bandmates can have a good laugh over the Juno award revamp but they agree there's no need to mock the honour itself.

"I don't mean to downplay it at all," says Pentland. "Our Juno nomination is for our album, which we made with somebody -- Ryan Haslett was the engineer, Gregory McDonald plays with us and we have management and road crew -- so it's not just about celebrating the band, it's about celebrating everyone involved in the record and who helped to promote it. We don't take that lightly, it's nice to be nominated."

Sloan has been around for longer than most of the groups who will be walking the red carpet at Sunday's star-studded award show in Ottawa. And for that, the guys are truly thankful -- though their gratitude may be concealed by perfectly-timed jokes.

"I'm grateful that our band has been together for 21 years and we're still being recognized," says Ferguson. "There aren't that many bands up for an award that have been making records that long beyond Blue Rodeo and Ron Sexsmith; it's a younger kid's game."

While they band are happy to see The Double Cross rack up some Juno fanfare, they are a bit worried about what that means for the next record.

"We tend to do records in threes and I feel like this record is the third -- Parallel Play, Hit & Run and this record all have a similar feel to them -- which means that the next one will suck and then we need another rebirth," says Pentland.

"Although, I made a demo the other day in my basement that sounds like My Bloody Valentine so maybe we're OK, maybe we'll make a louder record."

"Yes," says Ferguson, "we're due for one of those records."


Watch Sloan's 'Unkind' Video


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Golf Course Furnishings and Accessories Brand Now Online on day true story



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Neuroscientists Battle Furiously Over Jennifer Aniston : Krulwich Wonders... : NPR on day true story



Think of Jennifer, or as we like to call her, "Jen." Jen of the dazzling smile, Jen of the gorgeous chin, Jen with her hair down, Jen tousled, Jen as Rachel, Jen with Brad; Jen without Brad, Jen with Vince, Jen at the Oscars, and, of course, Jen as a neuron in the medial part of the temporal lobe.

Maybe you missed that last Jen.

A few years ago, a UCLA neurosurgeon named Itzhak Fried, while operating on patients who suffer from debilitating epileptic seizures, discovered what he now calls the "Jennifer Aniston Neuron."

From left, Actress Jennifer Aniston attends the premiere of  The Bounty Hunter  March 16, 2010. Jennifer Aniston attends  Exposados  March 30, 2010 in Madrid, Spain. Jennifer Aniston at the 67th Annual Golden Globe Awards on January 17, 2010 in Beverly Hills, California.
Enlarge Stephen Lovekin, Carlos Alvarez, Kevin Winter/Getty Images

Stephen Lovekin, Carlos Alvarez, Kevin Winter/Getty Images

In brain surgery, patients are often kept fully conscious, even when they have a probe implanted in their heads. Brains don't hurt when they're open, and this is standard procedure; the doctor needs to map the area where there's going to be surgery, the patient needs to answer the doctor's questions.

Fried asked his patients if they wouldn't mind doing a little exploratory science while on the operating table, and a bunch of them said yes.

 

Jen Vs. Julia Roberts

So he showed them a set of photographs, and he noticed when they came to a picture of Jen, very often a particular neuron would begin to flash, multiple times. When he showed these same patients pictures of Julia Roberts or random (not famous) people, or animals, or places, the neuron was quiet. Back to Jen? Back came the flash. He found this Aniston-specific brain cell in a number of people, and he wondered, what is going on?

Actress Jennifer Aniston at the premiere of 'Wanderlust' on Feb, 16, 2012 in Westwood, Calif.

Jason Merritt/Getty Images

Well, a flashing neuron is no big deal. That's what brain cells do. When a brain cell receives signals from other parts of the brain, the energy builds up, almost like a rising tide, and if the pressure gets strong enough, there's a release, a break, that is literally an electric flash. Neuroscientists call this a "spike" and they can see it (or with a tiny microphone, hear it) in a living brain. That's what Fried and his colleagues saw at UCLA.

The curious part was that there's a particular neuron devoted to images of Jennifer Aniston.

Jennifer Aniston attends the UK premiere of 'Marley And Me' at the Vue West End, Leicester Square on March 2, 2009 in London, England. Jennifer Aniston attends the premiere of  The Bounty Hunter  on March 11, 2010 in London, England. Actress Jennifer Aniston attends the 'Der Kautions-Cop' Germany Premiere on March 29, 2010 in Berlin, Germany.
Enlarge Gareth Cattermole, Ian Gavan, Andreas Rentz/Getty Images

Gareth Cattermole, Ian Gavan, Andreas Rentz/Getty Images

Actually, Jen's not the only one. Since Fried reported his findings, other neurons have been found that flash only for Julia Roberts, or for Halle Berry, or for Kobe Bryant. It may be that certain very famous people literally occupy special places in our brains. The question is, how?

Well, here's a theory. Maybe the neuron flashing "Jennifer!" isn't acting alone. Maybe it's the beacon atop a summit of associated neurons, each of which is flashing little bits of Jen. After all, when I say Jennifer Aniston, what comes to mind? Her blue eyes. Her chin (I'm slayed by her chin), her hair of course, her voice, her laugh, her fictive romance with Ross on "Friends", her dresses at the Oscars, her marriage to Brad Pitt, the divorce, her movies. And more fundamentally, those Jen-parts are themselves built from rawer bits: the blue of her eyes, her smooth skin, her flowing hair, her facial patterns (especially chins), which are in turn made of even smaller bits: units of light, dark, color, shading, form. Those lower-down neurons are no doubt doing other things in my brain (blue-ing up skies, lakes, and other people's blue eyes) when they're not building Ms. Aniston, but when Aniston calls, they come.

Jen Isn't Singular; She's Plural

So when Dr. Fried showed his patients pictures of Jennifer, (or maybe if he just mentioned her name) that reference might have triggered not just one, but a cascade of neural firings. And this may be the brain's way of storing a memory. Jennifer is not a single neuron, she's a plural, or as MIT professor Sebastian Seung puts it, she's "hierarchical organization."

That neuron shouting "Jen!" is receiving signals from thousands, maybe tens of thousands, maybe hundreds of thousands of neurons down below. Each time, the pattern is a little different. Thinking about Jen in "Bruce Almighty" is one pattern. Thinking about Jen having twins (Is she? They keep telling us that, but it's never...) is another. Each recollection probably slightly different from the ones before, but everytime, because it's Jen we're thinking of, the neuron at the top of the pile always flashes "Jen!"

What Is A Memory?

There's a deeper idea here: that when we remember someone, anyone, maybe what we're doing is making a specific neural connections in our brain. In physiological terms, what is a memory? Sebastian Sueng thinks it's a particular pattern of brain cells.

One day, says Professor Seung, it will be possible to look into a person's brain, (mine, say) and if Seung sees a certain sequence of flashes in me, he might exclaim, "Ah! I recognize this. This is Robert thinking about Jennifer Aniston's chin!"

The chin of actress Jennifer Aniston at the premiere screening of  Dirt  aon December 9, 2006 in Los Angeles, Calif.
Enlarge Charley Gallay/Getty Images

Charley Gallay/Getty Images

Oh come on, that seems next to impossible. The patterns are so fleeting, electrical, fast, and impossibly small, no one's going to read my mind any time soon. Seung says, not soon, maybe, but one day it will happen. "This kind of mind reading," he says, "would require knowing the 'neural code,' which you can picture as a huge dictionary. Each entry of the dictionary lists a distinct perception and its corresponding pattern of neural activity."

Like constellations in the sky, there's a specific pattern in me for Jen smiling, a different pattern for Jen saying "We were on a break!" (Or was that Ross?)

That, anyway, is the neuronal theory of memory.

But is there any way to test this theory? Do an experiment?

Well, not yet.

Scientists can, as Dr. Fried did, see a single neuron spiking. There are fancy machines, fMRI scans, that can take fuzzy pictures of whole neighborhoods of hundreds of thousands of neurons being active. But if we want to see a memory of Jennifer Aniston forming in my head, first as two, then four, then ten, then 50, then 100, then 1,000 neurons flashing messages to each other forming a pattern — that we can't see. We haven't the tools.

The way to do it, says Seung in his new book Connectome is we should build a brain map. This map should let us see each and every neuron in a bit of my brain, the bigger the neighborhood, the more we will see. One day Seung would like to map an entire human brain, that's 80 billion neurons with roughly a 100 trillion connections between them.

Are Women Wired Differently Than Men?

Is such a map possible? He thinks so. It wouldn't be easy to do, because each neuron is crunched near its neighbors, twisting and turning. Neurons are like spaghetti. They jumble and clump. But with enough money, enough computing power, we could build, says Seung, a "Connectome," a definitive map of a human brain. And once we have one, he thinks we would know many things. Like, for example:

  • How are women different from men? (Are we wired differently?)
  • What happens in a schizophrenic brain? An autistic brain?
  • How do we learn?
  • How do memories form?
  • How do we make decisions?
  • What happens when we dream? Create? Love? Hate?

Seung thinks a brain map is essential to understanding how a mind works.

But there are many neuroscientists who think he's wrong. Very wrong. A brain map, they say, wouldn't tell you how a brain remembers Jennifer Aniston, wouldn't let you see a memory form, wouldn't be the key to unlock our minds. It would be a huge waste of money.

The two camps are now furiously debating all over the world. On Monday, April 2, with Radiolab regular Carl Zimmer, I will be hosting a duel between MIT's Sebastian Seung and Anthony Movshan of New York University. The two will duke it out on the campus of Columbia University. We're going to be streaming it on our Radiolab site. To get you ready, I will do another post that explores why so many neuroscientists think a human brain map is a dangerous idea. Check back here on Monday.


Sebastian Seung made his argument for a brain map in this TED Talk. His new book is called Connectome: How the Brain's Wiring Makes Us Who We Are.


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